Shop Log - 7/15/22
Much the same as last week, I’ve been dividing my crafting time between a bunch of disparate resin casting/mold making projects, doing a little bit of each but not really making a ton of progress on any one thing. I’m hoping that a lot of what I have been working on will save me some time down the road, particularly my recent efforts in making a stockpile of rigid urethane parts (blanks) that I can later customize and mold as all new parts for future homebrew action figures. As you can see in the picture below, I’ve made urethane copies of my MOTU KO and wrestler legs, torsos, and heads (as well as the stand that I’ll include with my MOTU KO figures). I also finished sanding off all the details on my cheapo 4-inch scale toy soldiers and (not pictured here) covered up all the holes my dremel made in the hollow plastic with Apoxie Sculpt. But we’ll circle back to those momentarily…
But first, I want to demonstrate what I mean when I say I’m going to customize the urethane resin blanks and why. Pictured below is one of the blank torsos for my MOTU KO buck system that I sculpted some fur onto using Milliput. The intention here is to create a separate “beast buck” inspired by the original Beastman from Masters of the Universe (whose parts were also used to create a variety of the later fur-covered characters in the line like Grizzlor, Moss Man, and Stratos).
As part of this beast buck, I also plan to
sculpt some furry arms and legs as well using the urethane blanks pictured
above. When paired with different custom head sculpts, I’ll be able to create
any number of different bestial characters (werewolves, yetis, bigfoots,
Toho-inspired Gargantuas/Frankenstein monsters just to name a few). That’s the
magic of a buck system and why I’m going through all this trouble to cast all
these urethane resin blanks. I could probably do the same level of
customization with parts cast in the Flex-It 90 flexible resin that I typically
reserve for my final products and make molds of them without too much trouble,
but as I mentioned before, I find that rigid urethane resin is easier to sand
and blend, easier to dremel large chunk out of, easier to glue bits onto (and
pieces of urethane resin glued together bonds remarkably well), and provides a
nice solid base to sculpt on top of using various epoxy putties/modeling
compounds.
I also customized a pair of legs that I cast from the same
Adventure Man legs mold that I mentioned a while back. I cut off his boots and sanded
away the belt, adding some Apoxie sculpt to even out the surface. I wanted to
give this set of legs bare feet to replace the boots (and later sculpt some
tattered pant cuffs over them) so I took the ones from a completely different
bootleg He-Man figure; one I’ve yet to identify as I bought it loose on ebay
without any of its accessories (though I highly suspect it’s from the oddly
named “Ninja Warrior and His Combat Master” line). At any rate, I didn’t care
to make a mold of that entire Ninja Warrior set of legs as those molds tend to
be quite massive and it would have wasted a ton of silicone, so I made a mold
of just the feet and casted several urethane copies of those so that I can
graft them onto this legs blank as well as the pair of more traditional
MOTU-style legs when I make those for my aforementioned beast buck. I also plan
to sculpt some pockets and probably a different belt or some overhanging
torn-up cloth to further change the appearance of the pants themselves.
The ball joint (that allows the legs to pop into the bottom
of the torso) for this particular legs casting didn’t quite fill up all the
way, so I swapped it out with one cast in Flex-It 90 from a pair of
cast-off/reject legs that I had laying around.
I also experimented with casting accessories for my figures,
again making urethane copies of different action figure weapons from my
overflowing bits boxes. I did have some weapons made for MOTU or MOTU knockoff
figures (particularly that Zodak gun and the three weapons from an old Imperial
Toys “Dragons, Knights, and Daggers” set) but I was mostly looking for stuff
that were a good it in my Mr. Boneface figures’ hands. Like the body part
blanks, the intention here is to cast some existing weapons out of urethane
resin to subsequently customize and kitbash them into something new that I can
make a mold out of and cast in Flex-It 90 resin. I took five of the six weapons
you see in the pic below and molded them all at once in my first ever gang/tree
mold. I made a separate mold for the Zodak gun, as I want to also use just that
piece to make a few more repro copies for my personal collection of vintage
MOTU figures (again, all of which I bought loose on ebay because it’s cheaper).
While the network of sprues left behind by the various wooden skewer and
tooth-pick air vents that I glued to all the parts was pretty wild (I seriously
felt like I was building a model kit), the tree mold worked quite well and I’m
glad I went that route instead of making individual molds for each piece.
Oh and I cast some more head blanks while I was at it and
used the leftover silicone from pouring my tree mold to make molds of some
micro sized Godzilla and Baragon sofubi toys just to see if Cast-A-Mold 25T
would actually cure over the extremely soft material from which the originals
were made. And it did! Between these super soft mini sofubis and the
M.U.S.C.L.E. figures I’ve made molds of, I’ve yet to come across a surface that
Cast-A-Mold 25T silicone can’t successfully mold.
I decided my Dethlor-inspired Mr. Boneface figures needed a retro sci-fi ray gun. So I cut some pieces off the urethane casting I made of
the “Dragons, Knights, and Daggers” blaster, glued the back part onto the front
of the barrel and replaced the handle with that of the tiny knife from the
picture above. Here’s the prototype of the accessory being test-fit into the
figure’s hand and I was quite pleased with how it looked. And yes, I still need
to clean up all the flash on my final Mr. Boneface castings, but let’s try to
focus on one thing at a time…
I went ahead and made silicone molds of that gun, a random
shield accessory that I found was a perfect fit for my Mr. Boneface figures’ arms,
the beast buck torso, as well as what I think will be the final design for the
collector’s stands that I plan to include with my Mr. Boneface figures and
probably all my subsequent MOTU-inspired figures as well. To season the molds
and give me an idea of how the final products will look, I cast all of them in
Flex-It 90 resin that I pigmented black. Note that these particular castings
aren’t great (and I didn’t really bother cleaning up most of the flashing),
mostly because it was so insanely hot and humid that it greatly accelerated the
already brief three-minute potlife of the Flex-It 90 and they were already
starting to solidify before I was able to get them into the pressure pot. It
also didn’t help my cast that I tried to do so many different molds at once,
but whatever. These served their purpose.
Here’s a test fitting of the new weapons, stand, and torso,
along with a random set of arms, legs, and a head from my box of reject parts.
Everything fits, so I’m happy with it.
And before I officially move on from the subject of buck
bodies and urethane blanks (at least for this Shop Log, anyways), I would be
remiss not to give some progress shots on the aforementioned toy soldier
interchangeable buck system parts and the process that went into making the
silicone molds: one or the two sets of legs, one or the big beefy set of arms,
and another that contains two more pairs of arms in different poses. The mold
for the head blanks was already completed. If you don’t already know, this is a
shot of my mold boxes and mold cup before I poured in the silicone (after
degassing it in my vacuum chamber, of course).
Once the molds were ready, I use the last of my Smooth-On Smoothcast
305 urethane casting resin to make a whole bunch of blank buck body parts for
my potential 4” scale figures. When I ran out, I cracked open a trial kit of
Smoothcast 65D that I purchased some months back. 65D is from their line of
semi-rigid resins. That’s how I was able to get the head, arms, and legs of
that example figure to snap together. It has an even shorter potlife than
Flex-It 90 with only two and a half minutes to get it poured into the molds,
into the pressure pot, and under pressure before it starts to fully cure.
It’s pretty neat, but I don’t think I would ever use 65D for
a final figure beyond my initial design and prototyping phase. I was able to
disassemble the little sample figure without any of the ball joints snapping
off, which is nice if I want to test fit parts as I sculpt them before. With my
urethane blanks, I think it’s best to just cast them, customize them, make
molds of them, and then stash the master parts away for safe keeping in case I
need to make more molds of that particular piece.
As for what I kind of figures I plan to make with all these
blanks…. I don’t really know yet. But now I have a big bag of blank parts for
whenever inspiration strikes.
This week’s random side project involves one of the Marx
cowboy figurines that I duplicated with Smoothcast 320 resin last month when I
was first learning how to pressure cast. I decided to paint this one like the
Lone Ranger. Granted, our gunslinger figurine doesn’t have a very Lone
Ranger-esque expression on his face but I can still work with that.
For his iconic domino mask, I’d initially thought about
sculpting one out of Green Stuff but it wouldn’t stick to the resin. I tried
Worbla next, but couldn’t get the shape right because Worbla is incredibly
difficult to cut into precise, tiny pieces. So I just painted one on and saved
myself any further headaches.
For the blue, I used Citadel’s “the Fang” (a denim-colored
blue) mixed with some Vallejo white, which I also used for the hat. The skin
was a mix of Vallejo basic fleshtone and Citadel Kislev Flesh. Everything else
was my usual staple paints: Abaddon Mephiston Red, Runefang Steel. You know the
drill.
Also, I didn’t prime this figure like I do literally
everything else I paint so the basecoat was really fragile with paint rubbing
off right and left. Thankfully, an intermediate Krylon matte finish clearcoat
after I finished the basecoat set things right.
I went super heavy on the black Nuln Oil wash since I wanted
to get into the recesses of all the exquisitely sculpted detail in this piece.
If I had the space and the inclination, I would totally start collecting other
5” scale Louis Marx cowboy figurines because the sculpting on these old toys is
on point.
Unfortunately, I haven’t yet gotten around to finishing the
paint job (i.e. dry brushing over the areas I shaded with the wash and adding
highlights) but I did start working on a custom diorama-style base for the
figure. In the cupboard where I store the crafting supplies that I don’t have
room for anywhere else, I have a bag of plastic stands for 12” dolls that I
found at a thrift store. That hole is where you attach the support rod that holds
up the doll (kind of like an unarticulated version of that “arm” you see that comes with the bases you get on a
lot of Japanese action figures like SH Figuarts, Figma, Revoltech, etc) but I didn't need that part for what I was trying to do here.
I painted it up with some Citadel Stirland Mud technical
paint (which I never used before, though it came with one of my Warhammer start
paints kits) and while it did give it some texture, it was ultimately too dark
and swampy looking for what I wanted here. So I flocked it with some craft sand
before the Stirland Mud was fully dried. Once the base was dry and all the
excess craft sand had been shaken off, I gave it a light dry brushing with
Citadel Kreig Khaki layer paint to lighten up the surface. I also might have
dabbed some Citadel Zamesi Desert in a couple places to give the colors a
little more variety.
I would later fill the hole with some aluminum foil, super
glued it down, and cover up the hole with some Green Stuff. I wadded up some
excess foil and rolled it over the Green Stuff to give it what I hope will be a
rocky texture once I finally paint it. Right now, it just looks like a gross
green blob but hopefully we can change that.
So expect the thrilling conclusion to my custom Lone Ranger side project when I finish the last phase of his paint job and affix him to his diorama base in my next Shop Log, as well as some more updates on what I’ve been working on.
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